Nadia Attura is a contemporary nature and landscape artist whose work captures layered impressions of place and time. She creates intricate compositions by photographing natural details on location and combining them into complex, multifaceted tableaux. Engaging with themes of idealism, paradise, and our perception of nature, her vibrant work blends unexpected objects, colours, and textures to form painterly interpretations of real landscapes.
Read MoreNadia builds her images through a process of observation and reconstruction. She travels to natural environments and photographs fragments such as foliage, light, water, and texture. Back in the studio, these elements are digitally layered and carefully composed into new, constructed landscapes. She then enhances the compositions with paint, inks, and chalk, adding depth and tonal variation that shifts the work between photography and painting. Her prints translate these complex mixed media works into fine art editions for interiors, preserving their depth, layering, and atmospheric quality.
Alongside her broader practice, Nadia also creates winter art prints inspired by her trips to Iceland & Norway, curated for Chalet Art Store. These works use the same layered photographic and mixed media process but focus on muted palettes, atmospheric light, and seasonal stillness. The result is a quieter visual language that emphasises calm, distance, and the shifting qualities of winter environments.
Nadia’s work is particularly suited to luxury chalet interiors, where her layered, atmospheric compositions add depth, sophistication, and a contemporary sense of calm. The combination of photography, paint, and texture creates artworks that elevate interior spaces, bringing a refined, immersive quality to modern alpine design.
Her work has been exhibited at The Royal Academy Summer Exhibition and internationally with The Other Art Fair and The Affordable Art Fair, which commissioned her 25th Anniversary screen print for 2024. She has also been featured in Vogue, The New York Times, and The Guardian, and continues to explore constructed landscapes through contemporary printmaking.
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